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Down to the Wire

May 22nd, 2010

12WC_week6

Alright folks, getting down to the wire on the portfolio pieces portion of the challenge. (Even if I have fallen slightly behind) This one was done for two fold reasons. The first being to have a concept styled drawing that is finished enough it could also be used as a spot illustration. The other was to design a prop for the sixth and final piece.

I need a ray gun for my last illustration, and thought spending the time to design it before I had to place it in the composition would allow for a more interesting prop. (At least that was the intention)

As far as this being a more concept oriented illustration, that’s certainly true, but it would be worth noting that since this is for a one off image I only designed the view that would be visible in the piece it is for. So while it works for its’ exact purpose for me. If this were for an ongoing project I would have designed multiple views of the gun, but in trade off probably wouldn’t have taken all of the views all the way to a finish.

Anyway less words more pictures. Again these are taken with a camera, real scans forthcoming, as I plan to do a wrap up post when all six pieces are completed.

Ray-Gun-WiP1

This was the initial pass of inks on this one. At this point I took a picture and showed it off to a few sets of fresh eyes. It was pretty universal that the grip was at far too much of a right angle to the rest of the gun.

Ray-Gun-WiP2

This shows off a couple things. I’d already started building up some of the whites in the piece when the feedback got back to me, so it not only shows how I changed the shape of the grip, but also gives a glimpse at how the whites are built up.

Ray-Gun-final

And this is what I ended up with after a handful of passes on it. At about 3/4 of the way through I tend to go back in with more black ink and try to push the shapes a little harder. On this one the biggest lesson I learned was that it is perfectly okay to razorblade inks on stained paper. Thankfully the water color paper is absorbent enough that the neutral tone is all the way through. This technique was used for modeling the grip to the gun if you’re interested in where I did this.

Done in black and white inks, and a bit of white colored pencil to the grip on coffee stained water colored paper.

So to recap 5 of six pieces complete. And Laser pistols are awesome.

Thanks for looking.

Ray-Gun-final2

ETA: After sharing a link here to the 12 Week Challenge Clubhouse, I received yet more useful advice. One of my concerns was punched home to me that the main body of the gun blended too much with the paper. So I went back in and beefed up the darks and lights there. My intention is to still let the tone come through, but add enough to it for it to seem finished. Hopefully that point is coming across. If not let me know.

12wkch, Process Work

The Challenge Continues

May 16th, 2010

12wc_week5_button

This is the beginnings of my Week 5 posts. Coming in at the end of Week 6. There is a make up week coming for this week, so I’ll be drawing furiously to catch back up. Hopefully posts will follow at a quicker clip. This past week saw a day trip up to D.C. to the National Zoo, as well as numerous Mother Day plans. All well worth it for the mothers in my life (My mom, my wife, and her mother) So needless to say drawing time was at a premium. Although I’d like to think I made the most of the time at the table.

In my haste to do so unfortunately my WiP photo is from pretty far into the process of finishing this one. At this point I’d felt my eyes had gone a bit fatigued to the composition so I posted it to the challenge clubhouse to get some fresh eyes on it.
Hydra-WIP

As always I got some valuable insight into it, and with that took this one to a finish. Which I think came out pretty well. This one was done with black ink and white ink using a brush on toned paper. I’ve really become comfortable working in this matter over the last couple months.

Hydra

12wkch, Process Work

Week 4 – New Direction

May 6th, 2010

week4

Okay, so currently I’m a full half week behind. However I believe I’ve learned a lot of things in my failures over the last ten or so days. The first being I’m not nearly fast enough to work a traditional painting at a commercial pace. Also I may need to hit the old drawing board to revisit my color work. I tend to work with limited color palettes, because for me it’s an easy way to balance tones. I always feel like my full color stuff is a little too technicolor processed. I should have paid more attention in painting classes I guess. More practice needed there I believe. So watch out folks UGLY paintings in the future.

Anyway here’s my latest challenge piece. I did this up yesterday. It’s in response to a story excerpt in the current The Strand Magazine titled SMILES by Alexander McCall Smith.

Smiles-WiP Inks only.

Smiles Finish

Once I’ve collected the six pieces to be done I’ll get them all properly scanned. But for now these are some nearly functional digital photos.

12wkch, Process Work

Process Post Redux

April 1st, 2010

layout 2small

I’ve finally had the time to go back and start reworking this poster project. The previous incarnation to me felt a little stiff, like I’d forced so much stuff into the image none of it had room to move. So beyond a compositional reshuffle I tried to add a little more oomph to the characters. Especially bringing the main figure out more and making him more prominent. It should be noted a logo will be taking up that GIANT empty area at the bottom of the page.

I’ll stare at it a bit tomorrow, and then I’ll start laying paint down.

As always thoughts welcome!

B Movie, Lost Futures, Process Work, Projects

Quiet on the front.

March 12th, 2010

By now I should have been posting updates to my process post stuff. With pictures where you could actually see what’s going on. Instead I’ve gone to ground on it and decided I just didn’t think I was producing something that was as interesting as it should be.

It’s the double edged sword of personal work I guess. I have the luxury of no deadline staring me in the face telling me I can’t go back. But at the same time I have no deadline staring me in the face threatening to shoot if I retreat.

And that was at least one too many weapon metaphors for a single short paragraph.

So to sum up my last week for those playing along at home.

I’ve restarted a poster design, returning all the way to the thumbnail stage. After having the old style all the way to compositing and adding type.

Building up/refurbishing a mailing list. Terribly unexciting but terribly necessary.

Less talk more art soon I hope.

B Movie, Lost Futures, Process Work, Projects

Process Post 3

February 7th, 2010

Process 3

Recently there have been a lot of cool things developing that have pulled me away from this project. (A blog post will be coming soon).

However this is what was on my table tonight to paint.

B Movie, Lost Futures, Process Work, Projects

Process Post 2

January 25th, 2010

A bit of a jump ahead from the last post. I’ve been a bit lacking in getting stuffed scanned for posting. Instead this is a photo taken from my phone of how this looks sitting on my drafting table. This is the first part of a larger project I’m working on. Ink, gouache, pencil, colored pencil on water color paper at 12″ x 18″.

Still more paintings to be done, scanning, compositing, type, and other post work to go.

But it’s a start.

B Movie, Lost Futures, Process Work, Projects